首页 >  新闻动态

《符号与传媒》2016年秋季号出版

作者:符号学论坛  来源:符号学论坛  浏览量:2143    2016-09-02 14:00:58

 

编者的话

 

在过去十二辑中,《符号与传媒》与读者共同见证了符号学与诸多领域进行的交流与碰撞。这种始终对不同的学科领域保持好奇,不断探索理论对话的可能,正是当代符号学蓬勃发展的原因之一。


顺应着当代符号学的上述发展轨迹,本辑推出了首个“马克思主义符号学研究专辑”。诸位学者对马克思主义与符号学交织并行的历史源流,马克思主义经典命题的符号学阐释,以及两种理论在商品价值与意识形态揭示中获得的共鸣等问题进行了深刻而独到的论述。唐小林在《导言:建设当代马克思主义符号学》一文中指出,“不断回顾经典马克思主义的立场和方法,推动马克思主义的语言学和符号学转向,对于创开符号学的新局面,尤为紧要。”可以说,马克思主义在对社会经济和文化的批判性思考中,为符号学提供了广阔的视野和丰富的课题。


面对经济基础和社会关系编织的宏伟图景,符号学也深入精神生产的领域,深刻地卷入艺术世界丰富的文本之中。在“艺术符号学研究专辑”中,我们可以看到对电影、山水画、舞蹈、小说等不同艺术形式的意义探索,以及对诗学话语在图像时代的转型之审视。艺术总是以反叛的姿态挑战现有的解释系统,符号学恰巧需要在其中检验和完善理论的解释力。


《符号与传媒》一直对传播符号学相关研究保持关注,社会历史中丰富的传播现象是符号学进行超越性反思的一大源泉。本辑“传播符号学研究专辑”中,皮尔斯理论在信息、噪音两个经典传播概念中展开了新的阐释;商品与品牌,影像与事实在意义维度得到了阐发。


理论与应用总是相互促进的,这也正是三个专辑交织并行着宏伟的理论建构与深刻的对象分析的原因。这个时代通过各种新奇的方式呈现出纷涌事世与激荡思想,我们始终不忘探索,沉思与批判。希望通过《符号与传媒》这样一个平台,展现更多精彩文字,以飨读者。

 

 

Editor’s Note


In the previous 12 issues of Signs & Media, our contributors and readers have been participating in conversations between semiotics and other disciplines. It is this persistent curiosity about different subjects and the constant exploration of possible theoretical dialogues that have contributed to the development of contemporary semiotics.


Tracing the trajectory of semiotics, this issue of Signs & Media launches a new section, “Marxist Semiotics”. The contributors to this section examine the convergence of Marxism and semiotics, either by reviewing Marxist semiotics, or by applying a semiotic perspective to some classic topics of Marxism, such as the relationship between commodity value and ideology. As Tang Xiaolin claims in Toward Today's Marxist Semiotics:An Introduction, “It is of great significance to propel the linguistic and semiotic turn of Marxism on the basis of its stance and methodology. And this is one of the most important approaches to the new aspect of semiotics.” In this case, the criticisms of the social economy and culture found in Marxism inspire contemporary semiotics and widen its areas of research.


Semiotics is not only interested in the relations between economic foundations and social relations, it also focuses on the abundant spiritual production of the arts. In the section “Semiotics of Art”, our contributors analyse various artistic forms, for example, film, Chinese landscape painting, dancing, novels, etc. In addition, our readers will find a discussion of the transitions of poetic discourse in a pictorial era. It is necessary to verify and enhance the interpretive power of semiotics in the arts, as the latter challenges existing interpretative systems.


Signs & Media maintains a long-standing focus on the semiotics of communication, because communication phenomenon – in history and in our social life – promote the theoretical development of semiotics. In the section “Semiotics of Communication”, two classic topics of communication, information and noise, are reinterpreted from the perspective of peircean semiotics. In addition, the relations between commodity and brand, and between image and facts, are used to elaborate our understanding of the dimension of meaning.


The three sections of this issue demonstrate that theory and its applications mutually benefit and promote each other. Nowadays, new thoughts and events are being represented in novel modes; in response, we shall never stop exploring, contemplating and criticising. For this reason, Signs & Media continues to be a platform for our contributors and readers to record the further splendour of semiotics.

 

到学术论坛讨论  
好文章总是百读不厌,赶紧收藏分享吧!